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People used to come for it from round about, quite certain of a favourable reception, for there was nothing so sure to bring peace at Coombe Oaks as a mention of lavender. But the letter from the Flammas was the great event–from London, all that way, asking for some Coombe Oaks lavender! Then there was billing and cooing, and fraternising, and sunshine in the garden over the hedge of lavender. If only it could have lasted! Somehow, as people grow older just go with it online free no surveys recep ivedik film download seems so much grating of the wheels. In time, long time, people’s original feelings get strangely confused and overlaid. The churchwardens of the eighteenth century plastered the fresco paintings of the fourteenth in their churches–covered them over with yellowish mortar. The mould grows up, and hides the capital of the fallen column; the acanthus is hidden in earth. At the foot of the oak, where it is oldest, the bark becomes dense and thick, impenetrable, and without sensitiveness; you may cut off an inch thick without reaching the sap. A sort of scale or caking in long, long time grows over original feelings. There was no one in the world so affectionate and loving as Mrs. Iden–no one who loved a father so dearly; just as Amaryllis loved _her_ father. But after they had lived at Coombe Oaks thirty years or so, and the thick dull bark had grown, after the scales or caking had come upon the heart, after the capital of the column had fallen, after the painting had been blurred, it came about that old Flamma, Mrs. Iden’s father, died in London. After thirty years of absolute quiet at Coombe Oaks, husband and wife went up to London to the funeral, which took place at one of those fearful London cemeteries that strike a chill at one’s very soul. Of all the horrible things in the world there is nothing so calmly ghastly as a London cemetery. 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